Prefatory Remarks:
A few weeks ago, Dave's initial post unveiling the "Epic 10" concept led me somewhat improbably to the website of the "Fuck Buttons," who appear to be a British duo that makes buzzy droning sounds with two chords and is frequently lauded by critics as something edgy and brilliant (it sounds to me like music for teenagers that want to like Brian Eno but find themselves implacably bored by actually listening to Music for Airports and furthermore think that Eno neither used anywhere close to enough distortion nor screamed hysterically as often as he should have. Actually, the more I listen to this band [I am, regrettably, doing so as I write this] the more I want to write an entire piece on just how incredibly awful this is. Additionally, what is a Fuck Button? Why do I feel an uncontrollable urge to push one and see what happens?). The point is, Dave's off-the-cuff reference made me realize the extent to which 2008 was a year in which I felt particularly out of touch with the cultural zeitgeist, at least that of well-educated, progressively-inclined white 20-somethings (though the Fuck Buttons make me feel strangely comfortable with the fact). Isolated in my parent's house and later in New Jersey, I spent 2008 delving deeper and deeper into midwestern jangle pop bands of the mid to late 80's, the unabashed snobbery and elitism of craft brewing culture, the English ghost story of the late 19th century, largely forgotten British sitcoms of the late 90's and early 00's, and other relatively arcane pursuits such as I am wont to delve into when left to my own devices. In many ways, then, Epic Mail has proved an invaluable link to the world of pop culture. Other than my time spent scowling at preposterous-looking hipsters in Williamsburg bars, this is my main link to "kids" who are "with it." As such, I really have no idea if my list will appear aloof, disconnected, or even provincial. That having been stipulated, however, I am largely unapologetic and often downright passionate about what follows, my EPIC 10 of 2008:
Honorable Mentions: Friday Night Lights, Jolly Pumpkin Artisan Ales, Fallout 3, the Wilfully Obscure music blog
10. Epic Conversationalist: Stephen Metcalf
For those
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9. Epic Nerdlinger: Guillermo Del Toro
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8. Epic Pundit: Glenn Greenwald's blog at Salon.com
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7. Epic Aristocrat: Edith Wharton
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She's Henry James for people who like plot, or something like that. I don't know what inspired me to pick up The House of Mirth this spring, but I was delighted and surprised to discover a novelist who defied almost all of my preconceptions. Her attitude towards her upper-crust protagonists is far more ambiguous than elegiac, her sense of psychology and interiority is nuanced rather than dimly reflective of the Master, and she only dips into melodrama occasionally (anyone who has made it through Mirth's maudlin ending knows what I mean). The real treat, however, with Wharton is The Age of Innocence, which immediately won a place on my short list for Favorite Novel Ever. Suffice it to say that I embarrassed myself thoroughly by crying through the last two pages on the DC Metro. Edith Wharton won me over so completely, in fact, that I made a trip to Lenox, Massachusetts this autumn to visit The Mount, her majestic country house that is now in a state of fairly sorry disrepair, but still well worth the trip, if only to fiddle with the bathtub in the Henry James Guest Suite.
6. Epic Subculture: 1st Annual Savor festival
In what I hope will become a DC tradition, the first ever Savor beer festival was held in late Spring, and I was fortunate enough to receive a ticket as a gift (they were something like $75). I'm pretty sure that Savor was the biggest beer event ever held in the US in terms of participating breweries or something, and it was truly awe-inspiring. I was able to attend a small beer-cheese pairing session with Garrett Oliver of Brooklyn Brewery (who seemed nice but comes across as a complete dick in a recent New Yorker article), tell an amusing anecdote to Sam Calagione of Dogfish Head as he poured me a World Wide Stout, and discuss the finer points of puking with Rob Tod of Allegash. The only minor hang-up was towards the end of the evening, when I became, for whatever reason, intent on being a part of some guy from Stone's video blog (alas, it was not to be). Every major player in the craft brewery was present, and I found myself reduced to a puddle of goo in front of luminaries like Adam Avery and Tomme Arthur. I've heard that Savor is making a return for 2009, and I strongly urge anyone who cares about beer culture to attend.
5. Epic Tragedy: David Foster Wallace
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4. Epic Spookfest: House of Leaves by Mark Danielewski
Never has my consciousness been so fully consumed by one fearful obsession than during a week in late January, when I read (that word seems decidedly inadequate, perhaps something like "gave myself up to" would be more accurate - actually no, because that implies agency on my part) House of Leaves. Never have I been so terrified of a physical object, let alone a book, than I was those fateful few wintry days. It got to the point where I couldn't be in the same room with the text if I was not actively reading it, but then found myself "checking on it" every so often, to make sure it hadn't moved about on its own, or done something even more sinister. I forced myself to bring it to school and keep it on my lectern (to the great confusion of my students), so that I could keep an eye on it. And to this day, the very sight of it on my bookshelf, sitting in mocking insouciance nestled between James Fenimore Cooper and Robertson Davies, sends a current of fleeting terror through my veins (sidenote: I've discovered this year that it's a cult classic among graduate students in English - it's like being in a cool secret club, but one whose admission requires you to endure some incredibly traumatic hazing). Quite easily the finest horror novel I've ever read, I'd recommend it only if one takes very, very seriously into account R.L. Stine's classic admonition, "Reader beware, you're in for a scare."
3. Epic Filth: New Jersey
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2. Epic 1 A.M. Broadcast: Tim and Eric Awesome Show Great Job
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AND
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1. Epic Discovery: The "Great Outdoors"
2008 was the year in which I feel asleep to the howling of wolves, learned to identify common birds by their songs, bathed in mountain streams, read Walden no less than three times, stood stark naked on a precarious rock overlooking a snowy canyon, discovered the fledgling field of ecocriticism, coated my feet in duct tape to prevent blisters, spent an entire languorous afternoon observing waterfowl at play on a lonely river, confronted several bears without incident, thought I was going to die of thirst in the deserts of Montana, purchased more field guides than I could ever have use for, promised myself that I'd improve at tree identification, stumbled upon an obscure valley filled with wildflowers more redolent than I could have ever imagined, and all in all developed a passion for wild spaces that will be with me for the rest of my life. Number one. Absolutely uncontested.
The obvious omission in this list, of course, is our own little blogging enterprise (it would have been terribly predictable). But let me say that as Epic as 2008 proved itself to be, I have high hopes that 2009 will be even more so. To use an analogy from classical epic, it is as though we've gotten through all the tiresome wanderings in the first half of the Odyssey, and we're only now getting to the part where Odysseus slaughters the living fuck out of all those sniveling suitors. And so, with this two-fold sanguinity in mind, I wish everyone a splendid holiday season and the happiest of New Years.
2008 was the year in which I feel asleep to the howling of wolves, learned to identify common birds by their songs, bathed in mountain streams, read Walden no less than three times, stood stark naked on a precarious rock overlooking a snowy canyon, discovered the fledgling field of ecocriticism, coated my feet in duct tape to prevent blisters, spent an entire languorous afternoon observing waterfowl at play on a lonely river, confronted several bears without incident, thought I was going to die of thirst in the deserts of Montana, purchased more field guides than I could ever have use for, promised myself that I'd improve at tree identification, stumbled upon an obscure valley filled with wildflowers more redolent than I could have ever imagined, and all in all developed a passion for wild spaces that will be with me for the rest of my life. Number one. Absolutely uncontested.
The obvious omission in this list, of course, is our own little blogging enterprise (it would have been terribly predictable). But let me say that as Epic as 2008 proved itself to be, I have high hopes that 2009 will be even more so. To use an analogy from classical epic, it is as though we've gotten through all the tiresome wanderings in the first half of the Odyssey, and we're only now getting to the part where Odysseus slaughters the living fuck out of all those sniveling suitors. And so, with this two-fold sanguinity in mind, I wish everyone a splendid holiday season and the happiest of New Years.
6 comments:
I think of you every week when I hear Stephen Metcalf on the Culture Gabfest. You both share a penchant for reveling in your cultural detachment yet still believe that you have constructive opinions to contribute on subjects such as the musical merit of Beyonce's latest album.
Excellent Epic 10. Way to keep it going.
Happy holidays to you my friend, amazing post!
"Wild spaces?" They were so 1999. Now we're into liminal spaces, and sometimes sacred spaces.
I too heart Glenn Greenwald. Although I think I like the giant-forehead cartoon version of him on the site more than the way he looks in real life.
Also, Grease Trucks is the genesis of sweet. It's the forefather of my beloved Hoagie Haven. You need to give it a chance.
Nothing compares to the picture accompanying the Dirty Jerz. Perfect.
Also, I think my experience watching Tim and Eric with you is similar to listening to Ariel Pink with Fact of Bob. I think it's great on its own, but I never get it as much as when I see it with you.
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